The curbs in San Francisco are very appealing to a street photographer.
This is street photography. On this street, the four paint drips and the leaf created a design that caught my eye.
Among the permanent marks on the pavement, occasionally temporary ones find their way into the design.
There were plenty of shots to choose from in this parking lot on this particular day. I thought this frame was a particularly good edit.
Even ‘WAY’s get interrupted if the project is important.
I like to think of this as a photograph of ‘impasto’ street work.
My two recent posts (Siding, Up Close and Surface of the House) were close up shots of wooden siding lit by oblique rays of the sun. Below is a photo from a greater distance.
Another photo lit with sidelong rays:
I love bright days when the sun is low in the sky, especially when the rays glance off highly textured, rough surfaces.
I had a nice walk today. This tree caught my attention. I wonder how the bark assumes its patterns.