When we first got to the waiting area, this lady was the only one in our section. This sizable seating venue was a staging area: patients were called away for one test, then another; in between they assumed their perch (if still available) and wait for the ultimate call, the call from the person who […]
I remedied the enormous forearm problem in today’s portrait. The most important feature in the sketch below is the delicate positioning of the young lady’s hand. Therefore, the forearm-to-upperarm ration is consequential. I’m having second thoughts about the title of this sketch. The subject’s pose does not suggest that she is leaning very hard on […]
When concentrating on individual parts of a portrait sketch, sometimes itty-bitty errors add up. In the case of the image below, the cumulative inaccuracies were bridged by the enormity of the young lady’s arm upon which her head lay. When I began the sketch, her head was gracefully touching the apex of her angled wrist. […]
Originally, I wanted to do a few quick vignettes of some of the people in the cafe. I wasn’t quick enough. Before I could render one arm position, the person I was going to sketch next was gone. So I decided to focus on this woman as she changed the orientation of her arm.
Having not had any face time today, I resorted to copying a photograph. The photo was taken during a visit to the Japanese garden a couple of weeks ago. An enlargement did not show much facial detail, so I used this sketch to practice shading technique. I used different pencils with hardness ranging from HB […]
Usually, waiting rooms are filled with people. Today the receptionist was the sole person there and only visible from the neck up thanks to the high counter surrounding her. When I was done, her likeness looked like the ones you see on foreign coins. Unsatisfying. Fortunately, I had another opportunity to sketch. A young man […]
One of my previous posts was a double portrait of a woman and a young lady whose elongated face reminded me of one of Modigliani’s portraits. Below is a closer rendition of the same young lady from that post. The proportions of the face are less Modigliani-ish, below.
I spent more than my usual 15 minutes for this sketch. I had time to make sure of proportions, shade the surfaces and place background items, to give an idea of the environment.
Here is a woman waiting for her hairdresser. She has already been enrobed. More work would improve this sketch: darker darks (especially on the robe). This would pop the figure out of the low-contrast background.
Another waiting area, this time with an opportunity to observe beauty in the making. I couldn’t decide if the lady in this sketch was reading one of those scary magazines or was in the middle of some kind of treatment.