No time… I got the essentials, though.
Creative edit of mystery machinery.
I wanted to see if I could draw in correct proportions after more than a year of drawing without the feedback of looking at the paper. I’m happy with the figurative drawing of my grandson.
Blind drawing (i.e., drawing without looking at the paper) works very well for ‘outside’ contours. That is, with practice, one can get very good at rendering skylines, landscape horizons and outlines of people’s faces. However in the case below, I tried drawing a face in three-quarters profile. This means contours inside the outline must be […]
The blind drawing below is unintelligible in parts. This reminds me of some of my earlier attempts at this technique. I don’t know what happened, unless my mind (and hand) wandered.
When drawing more than one person using the blind contour drawing technique,* concentrating on the each person separately can result in the capture of gesture and position. Placing the pen point appropriately for the second figure can set up intimacy between the two subjects. The overlap is not important. *Drawing without looking at the […]
As I’ve mentioned before, sketching people in waiting rooms is fraught with hazards. One is the prospect that the person you select as a subject will become aware, and protest being drawn. Another is that the person you are drawing will get up and leave before you finish. This is what happened in the sketch […]
I was thinking about the figures in Flatland. What actually determines a shape? Is it a line? A line is by itself, is infinitely thin. A shape is not defined by a line, it has an edge, a divider between inside and outside. I don’t think the residents of Flatland would confuse a bright spot […]
I wanted to see what would happen if I superimposed a regular, studied sketch on a blind drawing of the same portrait subject. I used a photograph of my father as the model on which to experiment. My choice of subject holds emotional content, as my dad passed away a while ago and I still […]