Figure Inspired by Klee’s “High Spirits”
Yesterday I introduced the idea of more than one point of interest in a composition. I referred to the late work of Paul Klee in light of two articles by David Sylvester reprinted as Late Klee, Klee I and Klee II (pages 35-47) in About Modern Art: Critical Essays 1948-1997 (Henry Holt and Company New York, 1997). […]