What would happen if an abstract expressionist had a job painting parking lot space indicators? S/he would have to stay inside the pattern (no thinking outside the box in that job). Perhaps applying thick paint, scraping off and re-applying would be one technique that could resist a supervisor’s frown, while being true to an expressionistic […]
I used my broad-tipped nib again to begin today’s study. It takes some determination on the cold pressed paper, as there is a definite tooth to it. As I drew the short lines, I spaced them as the black keys of a piano. The design progressed from there.
I had no preconceptions before I started drawing lines for this composition. The first line was the curve that is now adjacent to the yellow-orange color. The next was a wide check-mark-like line that defined the space above the first curve. I like my broad-tipped dip pen. It is a bit old, so sometimes when I […]
I began today with my very thick-nibbed dip pen. I love the fat lines it makes and the thin ones, if drawn in a perpendicularly to the ‘fat line’ making direction. I’ve read that some oil painters work on their canvas for a while and, if they don’t like what they see in one section […]
Matisse used patterns of swirls and vine-like curves in the paintings I’ve been reading about. At the moment I’m not clear about his use of these complex ornamentations, but my impression is that, like the late compositions of Paul Klee, the eye of the viewer isn’t given much of a resting place. Somehow (I have read), […]
I continue converting my vinyl records to digital form. Today I listened to several as I let my dip pen wander over the paper. I penned the composition below while listening to jazz. I began by inking my recollection of the tracings my records made on the computer screen as their analog character changed to digital. The closely-packed […]
Here is a quick sketch, again trying to capture sonic vibrations in the domain of the visual.
The theme of today’s experiment is the same as yesterday’s: the difference between what is inside one’s mind and what can be expressed. Generally speaking, this difference (that I call ‘pressure’) is the impetus for creativity. An artist must somehow regulate the release of pressure in a manner pleasing to himself or herself.
I recently bought a turntable that has a computer connection. Now comes the fun part: recording hundreds of my vinyl records that I bought in the 1970s and 1980s. Most of my long playing records are folk music: Irish ulleann bagpipes pipes; English Northumbrian folksongs; Jewish Klezmer music; Old Timey (pre-bluegrass) American music; French hurdy […]
My experiment today began with planes instead of the usual arcs. I did fit an arc in, however: a big red one.