Every time I see an arrangements of chairs, benches or other apparatus used for sitting, I take note with my camera. Here are some other examples: Park Bench Series No. 1, Park Bench Series No. 2, Park Bench Series No. 3, Bench Series No. 4, Bench Series No. 5, Bench Series No. 6, Bench Series No. 7, Bench […]
My parents tried to teach me bridge when I was growing up. I was a sensitive child and was humiliated when I had to be the dummy, so I know how the odd-man-out felt in the sketch below.
I’m pretty sure that ‘Spkr’ does not mean ‘speaker’.
I didn’t know this woman was tall until she stood up.
Without a ladder, I can only photograph a small portion of a parking space. The shot below is representative of the entire space: it showcases a new painting style (or the first time I’ve seen blue letters on white background); a portion of the dribblings of soda cans; the weathered cracks indicating the well-worn usage […]
Even with one important detail omitted, the viewer can fill in the missing element.
Some blind drawings are blinder than others.
The skies have been cloudy for the past week or so, with lots of rain. The photo below is a reminder of past days of sunshine.
I used some blind drawing in this sketch, but what I like most about it is the inner details.
I’m drawn to geometric forms. If I don’t see them au naturel, I make them up. One way to ‘make up’ geometric forms in photography is to bring all shapes, no matter their depth, to the frontal plane*. This ambition is opposite to that which perspective aspires. *The 2-dimensional frame of the photograph.
