I was surveying the goings on of Flatland below, and encountered these lines. It could have been one line folded in on itself or, more likely, two lines cooperating with each other. Whatever it was, it must have been hungry. I knew it could sense my presence, through gravitation or other invisible forces. It seemed […]
The double outline of the woman’s face gives the viewer the opportunity to see the face turned slightly toward the viewer (three quarters profile – see yesterday’s post) or looking across the page (full profile).
The blind drawing below is unintelligible in parts. This reminds me of some of my earlier attempts at this technique. I don’t know what happened, unless my mind (and hand) wandered.