Study Group

I one sense, a portrait of three is more difficult to sketch than one of a single person. However, the overall organization of the figures adds an element missing from a single portrait. Potentially, there can be any number of interactions among the characters portrayed. In my portrait below, each character is absorbed in his or […]

Man in Puffy Jacket

Usually, the people I draw have settled into a quiescent state. The occasional change of position of limbs are easily accommodated, and makes for an interesting and dynamic portrait. Sometimes however, there is a major shift in position that is more difficult to incorporate. The underlying sketch of the subject’s previous position is hard to […]

Sitting Man with Inset

I continue to use my waiting time to sketch. Sometimes people move too fast for me. I began to draw a woman sitting, but she was called away and left me in mid sketch. I don’t usually use an eraser, so I used the same space to draw a larger version of the face of […]

Tutor and Tutee

In this sketch, I felt that gestures were more important than proportions (see yesterday’s post). The tutor’s right hand seems to be on an elongated arm. If I had canted the tutor’s posture toward her charge it would make more visual sense. The student alternated positions from upright to bent over: listening and taking notes.

Man with the Arms

I found a process I like for sketching people. I use pencil first… not even a drawing pencil. I use a mechanical pencil with soft lead. As my subject shifts, I sketch the limbs in their changed position. Sometimes this happens several times.  I use pen and ink to emphasize the strong lines and leave […]

Portrait in Motion

Don’t you just hate it when the subject you are sketching, switches positions? My subject below was very fidgety. He moved to different positions. I did my best to keep up.