I didn’t have enough time to complete this sketch on site. I worked on it at home, using the image of the man’s stance in my mind’s eye, taking liberties when my memory failed.
It is not always easy for one to portray a person seated just a few feet away. Especially when they are facing forward. Oblique views, or profiles are often less demanding and can be drawn with just a few lines (see Woman with Turban). The portrait below is more about posture and gesture than it […]
There are all kinds of sitters in the cafe. The one below had the best posture.
The two young people at the next table were both studying. They were leaning in opposite directions. I must have de-emphasized the tilt on the female figure and over emphasized the tilt of the male figure. The composition works anyway.
In this sketch, I felt that gestures were more important than proportions (see yesterday’s post). The tutor’s right hand seems to be on an elongated arm. If I had canted the tutor’s posture toward her charge it would make more visual sense. The student alternated positions from upright to bent over: listening and taking notes.
My first 15-minute sketching session yielded the figure below. The position of the man’s hand on his head was unique among the readers gathered in the cafe. I concentrated on posture in my next sketch session, trying to establish relative positions of limbs as quickly as possible. I wasn’t always quick enough, as in the […]
I sketched the figure below very quickly. I liked the lady’s posture. The sketch below is the area in which the lady was waiting.