Floaters

The first three strokes (in green) suggested an eye with open eyelids.The rest of the swiggles represent the objects between my lens and my retina that interfere with my vision.

Water

Lately I’ve been starting my abstracts with slashes of a brush loaded with paint. I laid in some of the curvy lines to fit in between. The curved lines suggested a directionality, a flow.  I added blue to suggest water.

Bookmark

I intended some of the brushstrokes to represent pages of open books. The bold green stroke that divides some of the curved lines is the bookmark (with a vengeance). It rips trough the pages to make itself known.

Abstract 021220

This piece is characterized my high visual frequency (i,e,. wavy) lines. They remind me of wood screws driving through space. I began with short blue and yellow squiggles. Later in the process, the red lines began to dominate. Hansa yellow, a very orangey yellow really worked will with the reds on.  A more lemony yellow […]

Trumpet Busker Fantasy

I was at a stop light talking to my brother on the East Coast on the car phone, when I heard music. At first I thought it was some telephonic cross talk. That didn’t make sense, so I asked Dave if he heard it (he did), and was it something on his end of the […]

It Looked Better In My Mind

My watercolor wash  (More: No Power) was the first stage in an experiment I performed in my mind’s eye (not exactly a Gedanken experiment ala Einstein).  The idea was to float a neutral color on top of a colored field and set up a dissonance between foreground and background.  Hans Hofmann’s paintings were chock full of […]

Layers of Frustration

Brush strokes are sometimes guided by intellect, for example to methodically carry out a preconceived plan; sometimes, the intellect comes to bear by deciding subsequent brush strokes based on previous ones.  Today’s experiment was not based on thinking. The marks I made came from emotions. The blue layer, the first one, resulted from the strongest […]

Color Threads

I’m beginning to realize that I have a modus operandi in my approach to painting abstract watercolors. I start with a jumble of brush strokes.  I then see what the mess suggests. If nothing visual strikes my eye, I look at it intellectually. For example, I could use my mind’s eye to imagine complimentary colors […]