Today’s watercolor experiment:
Today I wanted to concentrate on building a composition that would have some depth. Yesterday’s study was fun to do, and exercised my imagination, but it was flat.
Process:
I began by sketching several pencil marks. I used my non-dominant hand, the left, to try breaking the monotony of the curves produced by my right hand. Two or three lines were enough.
Next I wet the right side of the paper and applied india ink. My idea was to establish dark values immediately. To create different tones in this dark area, I added Moonglow, a grainy Daniel Smith multi pigment watercolor.
I bookended the composition by establishing another dark field on the left side of the paper. I used my new tool, a spray bottle, to wet the paper and dabbed in some india ink. I really liked the texture created by the ink, absorbed by the sprayed water, leaving the dry areas between the spray droplets, free of pigments. The effect was a crackley surface. I carefully touched in some lemon yellow, hoping that it create the effect of back-lit illumination.
Today, I also changed the way I added the latex masking fluid (frisket) to the paper. Instead of pouring it onto the paper, I used a brush. I was careful to protect my brush, as per instructions on the bottle, by washing it with soap and refraining from rinsing it. I dipped the soapy brush into the frisket and applied it to my penciled curves.
Returning to the left side of the composition, I used Moonglow again, to echo the shape I created on the right side of the paper.
For the mid-section of the paper I used raw sienna, a light tonal value, glazing it with the darker raw umber, which I allowed to drip from top to bottom of the paper.
Here is the study at this point, after removal of the frisket:
I like the composition as shown above, but the idea I had in mind was to contrast the earthy texture of the background with bright colors. I used my inks to accomplish this.
Comment:
I like this composition. I accomplished my goal of creating an interesting textured surface, as opposed to the flat washes I created yesterday. The inked curves stand out in contrast to the background, and yet are harmonious with the curved shapes in the background.
Beautiful
Thank you so much, Kelly.
best regards,
Jack
I like how the strands curve and lightly connect, rather than binding together. They are what love should be.
What a great interpretation, Pam! So glad this piece spoke to you.
best,
Jack