This is another study done on very heavy (246# linen textured) paper. I began by cutting curved lines into the surface. These curves serve as the scaffolding for subsequent brush strokes and the trough for the green ink I introduced while the paper was wet.
I moved the pigment around on the wet paper with an angled brush and was able to get some interesting edges.
It was only after taking a second look at this composition did I realize it was a wink.