Today’s watercolor experiment:
It is the time of year for sentiment. I was watching one of those seasonal movies that just put me over the edge. Actually, that’s not to hard to do. Sometimes Finding Nemo is too much for me.
Before I knew it, I was slapping paint on some big paper. A big swath of yellow ochre with a sweep of a 2″ brush. A big, drippy stroke, as wet as my face.
After my face dried up, and the watercolor paper, I thought about the faces I was trying to paint the other day. I already had the essence of a sadness on my paper. I drew stereotypical lips behind the ochre swath, with ghostly fading echoes. I carefully drew a rainbow swath interrupted by the sadness. Within the sadness I drew storminess with sepias and grays and some red.
I never understood the saying “Let a smile be your umbrella.” The shape a person makes when he or she smiles is concave, like an upside-down umbrella. Personally, I always use an umbrella for its convex surface. One remains much drier that way. It seems that the shape of sadness has the convexity to keep things out; perhaps it keeps the good things out and the bad things in.
But I still like the spirit of the original saying, inaccurate as it may be anatomically.
Well put, both words and painting. (K)
Thank you, Kerfe. Didn’t know how the painting would be received. Usually I have a plan, but in this case, each mark inspired the next until my theme developed. Of course, the initiator of the work was my state of mind.
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