Preparation

A few days, I was enchanted by the edges of moth wings. I got as close as I could with my phone/camera and tried to zoom in. I wanted to enlarge the interesting patterns. I didn’t do much preparation aside from an attempt to draw the wing segments in as symmetric a manner as possible. This explains my need for T-square, straight edge and French curves. As for the colors, I just guessed and applied them as I saw fit.

Today’s watercolor experiment:

I took another crack at a moth watercolor. Here is my source material, the photo and the enlargement of the midsection:

Digital Photo - Moth

Moth
Digital Phone Photo

Digital Photo - Enlargement of Moth's Back

Process:

I thought I would do more preparation in the painting department today, instead of the drawing/drafting arena.  I haven’t thought much about making test strips for the earth tones, but that is what I did.

Watercolor : Test strips with yellow ochre, quinacridone orange, burnt umber, raw sienna, burnt sienna, quinacridone nickel

Earth Tone Test Strips

From left to right are yellow ochre, quinacridone burnt orange, burnt umber, raw sienna, burnt sienna and quinacridone nickel.  Now I had a better idea of which earth tone matches the moth’s back.

As for my drawing, I took little care in the symmetry or even the anatomical accuracy. If someone built a moth from my picture, it probably wouldn’t live. I added extra segments and changed some proportions. (It reminds me of the pilot episode of the original Star Trek where the alien had never seen a human being before, so they put the horribly injured girl back together as best they could…  I have a few issues with that, but I’ll save that for another time.)

To summarize, my drawing was not anatomically correct.  But I had my earth tone test strip. I matched the colors pretty well.

Watercolor: sketch of moth's back from photograph; mainly grays and earth tones

Moth Back
9″x12″ 140# Cold Pressed Watercolor Block

Comment:

There is a discontinuity among the components of this study. I tried glazing the central gray area, but this didn’t seem to help.  I used pen and ink to draw in some of the details of the segmented areas. The interesting patterns were small and mainly white in tone. I would say that they would be better suited for portrayal by oil paints rather than watercolors.

Sometimes preparation doesn’t help.  Next time I think I’ll try a butterfly, if I can find one.

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