It is nespoli time again in our back yard. Last year I devoted several sessions to them (Nespoli, Preliminary Sketch Abstract Nespoli, Abstract Nespoli).
Today I began with charcoal to differentiate the dark areas from the light. The background in the reference photograph was dark, dappled with light spots. I wanted to register the progression of brightness in the rest of the scene using pencil and charcoal. Finally, I decided to add tints of watercolor.
In the end, I did not get the separation between the foreground and background that I wanted. I outlined the shapes as a remedy.
Nespoli Tone Study
12″x9″ 140# Cold Pressed Watercolor Block
Nespoli Reference Photo
Hi Jack, love your site. Lots to think about. You should write a book. Your insights are well thought out and beautifully written. Re. “Nespoli”: this word is plural, one loquat is “nespole”. Anyway, I like both renditions. The “Nespoli” pops because of the contrast in hues. The “Tone Study” has the wind at it’s back; the outline embraces the fruit and keeps it safe. CA
Thanks so much Carol Ann, for the vote of confidence and the kind words. It was a pleasure to meet you and to see your work.
Best wishes,
Jack